Life has its downs for James, living with his mom in Chicago at 39, an aging performer at Second City, eating and weighing too much. A woman he's been dating drops him, as does his agent, her brother. James turns down roles in local TV, roles that make him sad. Someone's remaking his favorite movie, "Marty," a role he'd love, but he doesn't even get an audition.

Two versions of the American dream now stand in sharp contrast. One views the money you earned as yours and best allocated by you; the other believes that an elite in Washington knows best how to allocate your wealth. One champions the traditional American dream, which has played out millions of times through generations of Americans, of improving one's lot in life and even daring to dream and build big. The other holds that there is no end to the "good" the government can do by taking and spending other peoples' money in an ever-burgeoning list of programs. The documentary film I Want Your Money exposes the high cost in lost freedom and in lost opportunity to support a Leviathan-like bureaucratic state.

When fresh-faced Elliot lands an exciting job for renowned artist, icon and provocateur Erika Tracy, his fantasies come true as Erika taps him to become her sexual muse. But Elliot soon finds himself out of his depth as Erika takes him on a journey more profound than he ever could have imagined, into a world of sex, obsession, power, betrayal and murder.

A body and a performance at night in the desert, illuminated by the headlights of luxury automobiles parked in a circle. We become familiar with one of the vehicles' occupants, a man, who was accompanied by the lingerie-clad master of ceremonies and the fit, minimally-clothed dancer.

Eiko, a Japanese American teenage vampire, suffering from agoraphobia caused by the trauma from the night her family was murdered and she was turned, is unable and unwilling to leave her family’s home. And she not only loses track of time, but time itself. Eiko spends most of her years avoiding others and trying not to live life as a vampire, but the world won’t leave her alone.

Justin, a troubled teenager feeling overwhelmed by life, confides in his friends that he wants to take his own life. As his parents Deborah and Randy grapple with his crisis, they must confront their own fears, misunderstandings, and the tension in their marriage.

At the mysterious orphanage where Sheena lives, death is nothing new to its residents—girls who no longer have families of their own, who are raised as weapons of war, taught to kill and take the lives of others without batting an eye. Everyone, that is, except Sheena, who wishes for nothing more than the growing conflict around her to end. On the night of her roommate's death, Sheena meets a strange girl covered in blood, who smiles despite the turmoil surrounding them. The next day, the girl appears as a new student in Sheena's class and introduces herself as Mimi. Initially thought to be a school myth, there are now whispers in the orphanage's halls that Mimi is their secret weapon—an immortal who cannot die. When Mimi is later assigned as Sheena's new roommate, Sheena's world grows even more complicated when she begins living with someone who loves and welcomes death, when all Sheena wants to do is stop it…

Mara is a disillusioned actor dealing with the terror of time. When she’s thrown into a classroom of kids rehearsing a Disneyfied version of Chekhov's THREE SISTERS — her favorite play about existential longing — she swan dives into her own crisis of aging, nostalgia, and the loss of childhood dreams.

Preacher's daughter Amara Winter sings in the church choir before being discovered by a well-established musician. She soon rises to international fame as a pop singer.

Fish store owner May is thirty and single, so when Chris, a millionaire, appears, May's family is only too eager to send her off. May is crushed when she finds out Chris's only reason for loving her was her resemblance to his ex-girlfriend Linda.